Bibliography

1. Elizabethan-Era - (Elizabeth In Colours: Gold): http://www.elizabethan-era.org.uk/color-gold.htm
2. Elizabethan-Era - (Elizabeth In Colour: White): http://www.elizabethan-era.org.uk/color-white.htm
3. Elizabethan-Era - (Elizabeth In Colour: Red): http://www.elizabethan-era.org.uk/color-red.htm
4. Wikipedia - (Pat McGrath Research): https://en.wikipedia.org/wiki/Pat_McGrath
5. Models - (Pat McGrath Research): http://models.com/people/pat-mcgrath
6. McQueen & I (2011)
7. NYMAG - (Alexander McQueen Research): http://nymag.com/thecut/2015/04/remembering-alexander-mcqueens-1996-dante-show.html
8. Wikipedia - (Alexander McQueen Research): https://en.wikipedia.org/wiki/Alexander_McQueen
9. Wikipedia - (Lettice Knollys): https://en.wikipedia.org/wiki/Lettice_Knollys
10. Tudor Place - (Lettice Knollys): http://www.tudorplace.com.ar/Bios/LetticeKnollys.htm
11. All Things Robert Dudley - (Lettice Knollys): https://allthingsrobertdudley.wordpress.com/category/lettice-knollys/
12. The Virgin Queen (2005)
13. Tommy Beauty Pro - (Colour Theory): https://tommybeautypro.wordpress.com/2013/01/05/makeup-101-colour-theory-make-up-artistry/
14. Wikipedia - (Baroque Music): https://en.wikipedia.org/wiki/Baroque_music
15. Baroque - (Baroque Music): http://www.baroque.org/baroque/whatis#after
16. Wikipedia - (Baroque Music): https://en.wikipedia.org/wiki/Baroque_music
17. Wikipedia - (Contemporary Royalty): https://en.wikipedia.org/wiki/Baroque
18. Art Of Manliness - (Contemporary Royalty): http://www.artofmanliness.com/2010/10/18/the-basics-of-art-the-baroque-period/
19. Wikipedia - (Elizabeth In Her Portraits): https://en.wikipedia.org/wiki/Armada_Portrait
20. Andrew Graham-Dixon - (Elizabeth In Her Portraits): http://www.andrewgrahamdixon.com/archive/readArticle/245
21. Making Up The Renaissance - (Contemporary And Elizabethan Beauty Methods): https://sites.eca.ed.ac.uk/renaissancecosmetics/
22. Six Wives - (Tudor Cosmetics And Dangers): http://www.sixwives.info/tudor-make-up.htm
23. Elizabeth (1998)

Evaluation

    On both mine and my partners timed assessment days we was both rather prepared in terms of what worked for us in our designs and what didn’t, as we had previous worked together and practiced each look numerous of times. We was also always in contact with each other, so if one of us had an issue with anything we could work out a solution or make sure the other person had a clear understanding on what they had to achieve in the set time on the day.

    When developing my research I used the tutorial lessons we had as a starting point for me to go research more and more into designers, brands, and trends that had been inspired by the Elizabethan beauty ideal. I also used took it upon myself to find other resources to find out information, such as films, TV shows and books to help strengthen my research folder for this brief which I found very helpful to see directors interpretations of the Elizabethan era instead of just looking at designers and artists for inspiration.

   I really have enjoyed working on this brief of ‘The New Elizabethans’ and thought it was such a good starting point for our first project at university. It has made me think about a different era of make-up I may not have ever delved into, whilst it has also taught me how important the Elizabethan era was for make-up an cosmetics as a whole. Also the introduction of working with partners and working to their brief instead of your own, I think is such a good idea as in real life in the working environment you won’t always be working to your own brief and has taught me how to deal with working with clients and how to work around problems that may come up whilst working.

Make-Up Assessment: Being The Designer & Peer Review

    This is my final make-up design that I gave to my partner to execute for me for this assessment, for my design I wanted a flawless base with contour and highlight to represent the modern trend in this current day and age, but to get that Elizabethan touch to my design I decided to 'bleach' my eyebrows and make my eyelashes white paired with a red lip which has modern and Elizabethan influences. As for the white streaky hand prints down my face and body, I put this into my design because I wanted to show how Elizabethans might have applied their white base and how it might have been streaky on their faces as well, I also did this technique because I wanted it to mimic the idea of a ruff which seeing all the white lines down my neck and chest I felt this did create the illusion of one.
      I thought Annabel did a pretty good job with my design, my favourite aspects of my design that she recreated on me is the white streaks down my face, neck, and chest along with the overall highlight and contouring of the face. These was my favourite elements of her work because I wanted them to be very intense to contract against the white face and body paint that would of been applied afterwards, and I felt she captured my vision in them elements.

    However I felt like a few things could of been improved, such as the base could of been a lot less full coverage and mask like, as I did request a more natural yet perfected face. I also felt like she could of cleaned up around the brows as they did turn out very messy looking, and also made the eyelashes a lot more opaque.

    I would say that both me and my partner was well prepared in terms of what we was doing when it came to our make-up assessment as we did practice our looks a few times and I made myself clear on what I wanted from her and how I wanted her to execute my design. We also understood each others wants from this assessment and was both accessible to each other if we needed to speak to the other about a concern we may of had.

Make-Up Assessment: Being the Make-Up Artist

    When I started to meet up with Annabel and discussing our final make-up designs I thought the design was quite simple and not as challenging as I would of liked it, yet I was still happy to execute her design for her! For her design she requested me to make her face pale/white, white eyebrows, sublet contour and gold and nude ombre lips to complete the look. When explaining her look more she went on to say she wanted her design to look very stern and serious, which I got once practicing her design I understood why she put certain things into her design to create this look. After completing Annabel's design she told me she was happy with how I executed her look which boosted my confidence about the look a lot more, unfortunately the camera blew out the make-up and make it a lot less intense as it was in real life but I am happy with the overall look and pleased with my own application and that it captured her vision.